November 2014

Reference Art (cont'd)

, animator at Animat Habitat

This article is continued from Reference Art – History. This second page looks at some of the voices and pictures that helped inspire the comic book, companion app and invitation to change the way we look at wildlife—White Elephant.

Art Daydreams

In daydreams of a comic book in summer of 2011 at Games for Change in New York City—in a slide show where Polaroid-like graphics swiped across the screen, each photo was instead a video that played for its few frames in focus. [2]

Those two-minutes of presentation following four years of study in interactive multimedia and design (IMD) had sparked my imagination, as I began to realize a mixed medium made to showcase the best of art and story. I took note: “animated scenes within [a] comic book.” Then, I forgot about it. And so I had long since forgotten about that note when the art and story for White Elephant settled naturally in a comic book medium nearly three years later.

In that time – in the hours before and after a 9 to 5 shift at a local app development studio – the voices of artists and storytellers accessible on the Web proved influential in keeping my big picture moving forward. Two sources in particular have raised actionable insights for independent artists early on are the Artcast by Chris Oatley and Lean Into Art co-hosted by Jerzy Drozd and Rob Stenzinger. Perhaps what is most encouraging – and what is in common with both podcasts – is the dedication to sharing and teaching critical thinking about visual storytelling.

Artcast (2008) © Visual Voice []

You never know when you may spark an idea in another that allows them to take the next step in pursuit of their passion. As I put headphones to my ears, the personal and art-driven audio journal of Chris Oatley’s Artcast opened my eyes to storytelling in comics.

Inspiring audio archives like these are invaluable resources for silent artists finding their creative voice. In terms of specific breakthroughs on White Elephant, I can point back to the Artcast podcast episode 49: “Projects that Pitch and the Fine Art of Finishing.” The episode just so happened to feature Jerzy Drozd, whose conversation with Chris Oatley encapsulated an ever-growing passion for storytelling in comics—a theme that transcends the Artcast as well as Drozd’s many podcasts and professions (cartoonist, teacher). Any lack of personal history reading comics is fast overcome by their passion for comic books as an approachable medium for an artist looking to communicate a personal and art directed story.

Art Community

In 2013, I had an amazing opportunity to attend Creative Talent Network Expo (CTN-X)—a conference packed with inspiring artists and, not coincidentally, a keynote event for Chris Oatley's Oatley Academy who made me feel welcome all the way across the continent in Burbank, CA. It was great to actually meet Chris and company and experience their shared genuine passion for the artist community.

Bottom of the Ninth (2012) © Ryan Woodward []

Another teaching artist and storyteller also at CTN-X, Ryan Woodward had released a near proof of concept for the companion app for White Elephant, unbeknownst to him, of course, and he hit this mixed medium out of the park with an app and animated graphic novel titled Bottom of the Ninth. Ryan Woodward has a uniquely expressive style of animation that is delightful in and of itself. This style is particularly present in one of his most personal works, and one of my personal favorite animations: Thought of You. His artwork and videos describing the journey that lead to the creation of Thought of You in 2010 and then Bottom of the Ninth in 2012 have inspired and trail-blazed my passion for this project. [2]

At CTN-X, Woodward called attention to the patterns in artistic struggle and ecstasy: Sesame Street: Don Music, Kermit the Frog. This has served me as a playful reminder to enjoy the experience of doing what I love to do.

And ya, I draw because I like to.

The Lion King (1994) © Disney

Disney animation has at least indirectly inspired most animated pictures, and White Elephant is no exception, with frames that reference sequences from The Lion King (1994). The classic Disney films were also famous for their use of live-action as source material in drawing animals, with footage nearly always available for any animal because of the studio’s film series: True-Life Adventures. The Living Desert (1953) and The Vanishing Prairie (1954) were the first two feature films in this series and, coincidentally, were later promoted as a double-series release with a promotional cover image that shows nature in an art directed graphic style. White Elephant in part takes on a similar graphic design so that the art and the story may be directed to express different bold, clear visual statements.

The Living Desert, The Vanishing Prairie (1971) © Disney

Even some artists known to have inspired Disney animation have too been referenced in the making of White Elephant, in particular the sequential photographs of animal locomotion by Eadweard Muybridge (1830-1904) as well as the drawings of Heinrich Kley (1863-1945). The former innovated the study of the motion of animals. The latter provided a unique interpretation of animals in unusual poses, and Kley's drawings also clearly had an influence on Walt Disney's “Dance of the Hours” in Fantasia (1940). In particular, Kley's dancing and skating elephants have in part informed the more complex sequences of character animation in White Elephant. In the art of animation, the ability to visualize character anatomy in its stretched states is a key to realize the architecture and the silhouette of an animated character across its range of motion. [3]

The Drawings of Heinrich Kley (1909, republished 1961), 52.

African Hall, American Museum of Natural History

We monumentalize elephants in our culture. We showcase wildlife in our halls, in the case above-right: in a magnificent exhibit in the African Hall of the American Museum of Natural History. While this specific sculpture has had no direct influence on this project, it is an impressive example that serves to demonstrate how we uphold elephants in our culture and yet we are causing them to disappear along with much of our natural world. The monuments and the icons of elephants that are all around us underscore the diverse artistic background that has inspired White Elephant and the goal at Animat Habitat to promote wildlife conservation through art.

1 Games For Change (G4C), Festival, New York City. Website Link

2 Vimeo / Ryan Woodward – Thought of You (animated short, 2010). Website Link

3 National Gallery of Art (NGA) / Eadweard Muybridge / Animal Locomotion (1887), Plate 733. Website Link


Behind the scenes:

Register for membership behind the scenes of White Elephant.